From Harper’s Bazaar March 2018 issue, I got hooked on this Amy Troost photo of model Sveta Black. While Sveta wears this white, um – ensemble[?] by designer Rick Owens, it is the look on her face that compelled me to sketch. With some alterations – of course!
Yes, friends: Take heart! I had wanted to post this image in time so that it would be visible on or before Christmas Day… However, due to holiday chaos and intergalatic tomfoolery – as well as other hits which I’d just as soon not mention – I didn’t meet that mark. And being late for anything is not something that I am generally known as being.
Voila! With wishes to you all of peace, wellness, & merriment, Jeni Moore
Yes, I miss paint brushes and actual paint palettes. [Tis the season!] Although, my latest endeavor which I call Polythene Projects is also a kick! Having gathered all or most of the beading inventory, which is fairly massive, I began vending with the coolest chick friend at a weekend open market.
This Saturday, a return to:
I suppose it was inevitable. The time of arrival – when I would no longer have a mutually exclusive relationship with my own works. While I enjoy the kindness and support of my web base, hand rendered art really needs to be exposed to natural light. All of this to say, my own is now up at the Green Marble Coffee House for the entire month. And I would love for you to have a look!
No one will identify über-model Karlie Kloss in this color pencil sketch – but then the same could be said in Tim Walker’s photograph of her, taken for a British Vogue fashion editorial back in 2010. That’s alright, as that wasn’t my aim.
And when I returned to using my own hand in my art, I hadn’t intended to focus a whole lot on mastering figure drawing. [Nor did I intend to use color pencils all that much!] Yet between this extraordinary pose and vibrant greens, I just couldn’t resist the challenge.
Right before posting I have a great temptation to change the title of this painting to “The Three Muses” – or, “The Three Graces”. Truthfully? I haven’t got the whole “Gods and Goddesses” background to pull it off. Not to mention that the costume designs were inspired by an era when The Flapper was all the rage…
This gouache painting measures approximately 10.5” x 8.5”.
In this aerialist depiction, the question of “More? Or, less?” made me buggers. This piece, measuring 8.5″ x 9.5″, was painted with watered Gelatos – on some pretty pricey paper. While rather happy with it, my greater penchant to move on to “the next” ultimately won.
The gown. That hair! Solange, that is. And with such an already musical name like that, why call this anything else? The source of it all can be seen on Elle.
I used some metallic watercolors for this 9″ x 12″ painting – a size which exceeds my scanning bed. The glint of the metallic gets lost on a monitor but I’m happy enough with the outcome here.
Over the 2016 holidays, my sister Nell and I thought that we should collect some of our mother’s wonderful poetry and publish an illustrated book – and then surprise Mom with this for Christmas. Nell and I didn’t have a great deal of time to pull this off – and online publishing was uncharted territory. But, we did it! Some needed revisions followed… However, we now honor our mother, Ann Goldthwaite Moore, with her first book of poetry. And this book is now officially available to the public for purchase.
I went crazy for some coiled hair. The coiled hair and the model’s silhouettes. Both, I found in Chanel’s Spring 2017 campaign. [I found out later that the model’s name appears to be Arizona Muse and she was photographed by Karl Lagerfeld.] As for calling this piece “Tarmac”, all I can say on that is that it felt like the right fit.
Primary colors – such as the red and blue, dominating here – typically hold no allure for me. But when I paired the red and blue I felt such a bolt of power projecting from it. Striking. So where the “topography” elements nearly intersect, it became rather corrosive. Gold nuggets acting as meteorites…