Marisa by Penn

Brushwork, Projects Series

The actual title I give this painting is “A Girl Can Dream” – as Marisa Berenson has mesmerized me since my own childhood/girl years. A case of Marisa envy, if you will. And the photo behind the painting is another I’ve held onto for I-don’t-know-how-long! The original was shot by Irving Penn. [Interesting side note: My father had been a commercial photographer and disliked the work of Penn. However, he never elaborated on this.] And with as much credit compliance I can provide, I can only assume that this Penn assignment first appeared in Vogue. That is my guess and can also only speculate on the year it was taken.

An Irving Penn photo of Marisa Berenson, who is wearing a pink outfit

Marisa Berenson by Irving Penn

Plainly, a lot of artistic license factored in this. In addition to modifying her Adele Simpson outfit, I riffed a bit from Milton Glaser in transforming her hair. [See iconic image of Bob Dylan which Glaser illustrated for his greatest hits release, 1966.]

Gouache painting of an Irving Penn photo which features Marisa Berenson, with artistic modification of colors and hair

A Girl Can Dream

Life Drawing: Tattoo

Brushwork, Projects Series

Twenty years or so [gulp!] had passed since my occasional forays with life drawing groups. Three weeks ago I decided to delve in again after finding a group here in Mystic. This prospect was not without a fair amount of personal fear… Yet, the members of this group, who are all quite talented and skilled individuals? They made me feel not only made me welcome and [very much needed] encouraged! And for last night’s session, I brought my own box of colors along.  From the image here, you can see I ditched my graphite pencils mid-way and went bananas with the colors.

Watercolor pencil sketch of a female nude with a focus on her back and the tattoo at her hip

Tattoo

To Have and To Hold

Brushwork, Projects Series

In posting this painting, I fear becoming known as “That Tim Walker-crazed painter”. Not only that, but Tim Walker – or his agent, anyway – may not be all that keen in my depictions of his inspired settings and/or concepts behind his photo shoots. Be what may: I joined two of his photos together here. While his bride appeared in a 2016 issue of “British Vogue”, the model in black originated in a 2009 issue of “Italia Vogue”. And I could not resist the contrast!

Gouache painting depicting photographed models by Tim Walker

To Have and To Hold

Hyunji in Marc

Brushwork, Projects Series

First, an apology to adorable model Hyunji Shin. When working from Terry Tsiolis’ photo [in an editorial from the July 2018 issue of Elle] my foremost intent was to depict this incredible outline of the Marc Jacobs gown; I hardly did justice in Hyunji’s face! Yet, painting wet on wet is still rather foreign to me. One has to relinquish a lot of control – and those who know me will understand…

Watercolor fashion illustration of model Hyunji Shin in a fuchsia Marc Jacobs gown, from photo by Terry Tsiolis

Hyunji in Marc

 

 

Shear Blue Gloves

Brushwork, Projects Series

There are fashion magazine clippings which I have kept in a binder over the years… [And I do try to keep impulsive clipping at a reasonable binder management level. To “try”, being relative.] My most recent muse came by way of W Magazine and, more to the point, photographer Willy Vanderperre. His photograph offered me two elements I could not resist: lovely hand gesturing and challenging shadows. And I title this as Shear over Sheer because most challenging for me was in knowing when and what to omit.

Watercolor illustration of a Willy Venderperre photo featuring a woman wearing a military jacket and hat, with blue mesh gloves

Shear Blue Gloves

 

Galliano’s Peacock

Brushwork, Projects Series

From a Rossettiesque photo by Peter Lindbergh, a Galliano gown is featured. I liked the near weariness in the model’s pose. And while the original photo [featured in Vogue, I believe] had her set against dark greens and what looked like ivy growing from the ground, I chose to add a bed of Iris instead. As my own Iris is now in bloom, will I follow them?

watercolor painting of a red haired woman wearing a Galliano gown. Featuring Iris bloom in the background, with the gown in the colors of a peacock.

Galliano’s Peacock

The Hands

Brushwork, Projects Series

There is an adorable model who is not entirely depicted in this piece. And when I searched on photographer Marc de Groot’s online portfolio to look for her name, it couldn’t be found… But it was her hands that I loved most. Me, being me, I took some liberties with both her hair and the corset she wore. Maybe I should be calling her “Little Peacock”?

watercolor painting taken from a photo by Marc de Groot of a black female model, featuring her hands

The Hands

*Also, a thanks to the inspired work of Mr Barry Blitt!

“Under Wraps”

Projects Series

“I’m so cold!” Even though Winter had transitioned finally to Spring, those three words had incessantly repeated in my mind. Half of my apartment is below ground – with little to insulate me from the rock it is built upon.  My hands remained rigid, posing a problem in carrying out detailed paintings. So, the cold became a muse of sorts. Colored pencils occupied me until a new heater arrived. And my sanity, somewhat restored!

A colored pencil sketch of a female body wrapped in knitted wear and scarves.

Under Wraps

Sveta Sketch

Graphic

From Harper’s Bazaar March 2018 issue, I got hooked on this Amy Troost photo of model Sveta Black. While Sveta wears this white, um – ensemble[?] by designer Rick Owens, it is the look on her face that compelled me to sketch. With some alterations – of course!

Pencil sketch of a white Rick Owens outfit as worn by model Sveta Black

Sveta Black in Rick Owens, 2018

Take Heart!

Seasonal Designs

Yes, friends: Take heart! I had wanted to post this image in time so that it would be visible on or before Christmas Day… However, due to holiday chaos and intergalatic tomfoolery – as well as other hits which I’d just as soon not mention – I didn’t meet that mark. And being late for anything is not something that I am generally known as being.

Oh well.

Voila! With wishes to you all of peace, wellness, & merriment, Jeni Moore

Depiction of vivid fantasy shoes, sketched in color pencils. Behind the shoes, a gyro-globe compass.

Take Heart! & Give Heart…

Live! At the Green Marble!

Brushwork

I suppose it was inevitable. The time of arrival – when I would no longer have a mutually exclusive relationship with my own works. While I enjoy the kindness and support of my web base, hand rendered art really needs to be exposed to natural light. All of this to say, my own is now up at the Green Marble Coffee House for the entire month. And I would love for you to have a look!

A promotional flyer announcing an exhibit at the Green Marble Cafe, which is titled Riff Raff

September Show at Green Marble

 

 

Harlequin

Projects Series

No one will identify über-model Karlie Kloss in this color pencil sketch – but then the same could be said in Tim Walker’s photograph of her, taken for a British Vogue fashion editorial back in 2010. That’s alright, as that wasn’t my aim.

And when I returned to using my own hand in my art, I hadn’t intended to focus a whole lot on mastering figure drawing. [Nor did I intend to use color pencils all that much!] Yet between this extraordinary pose and vibrant greens, I just couldn’t resist the challenge.

Colored pencil sketch of a Tim Walker photo depicting Karlie Kloss, who is dressed in ruffled green outfit and has her face painted as a harlequin.

Harlequin