Fabriano, Chiuri, and The Fool

Brushwork, Projects Series

There is a story behind every created form of expression – and if you are familiar with my online portfolio, you already know that I include little stories along with my posts. With this particular piece I have three [maybe more!] stories, so please bear with me.

In the early 1920s my maternal grandmother Ella Sachse had chosen to study art at what is now known as Moore College in Philadelphia, PA. Many of the tools and supplies she had accumulated have been passed along to me through my mother, including this most recent and astonishing block of cold press Fabriano paper:

In my eagerness to honor this vintage paper I had to reacquaint myself with using watercolors and due to the rough surface of it, I needed to “turn off” my usual insistence of small detailing. As seen below, I realized that the spirit of the outfit was far more important than the brocade panel behind the model.

Now, I have sung my praises of Dior’s creative director Maria Grazia Chiuri before but, honestly, I don’t actually follow her or any other designer with some fanatic intent. Rather, it is Dior somehow finding me – by way of print ads or fashion headlines. The latter being the case when I read that their Spring/Summer 2021 collection of haute couture was born from a rare deck of Tarot cards…

And I have dabbled in reading Tarot cards for over 20 years. While partial to the Thoth method and for those who know little about the Tarot, there are 78 cards in total and within those there are 22 dedicated to archetypes called The Major Arcana. In my personal history with both the Thoth and Rider-Waite cards, I found a particular affinity to The Fool card [#0]. That said, it made perfect sense to me that I would gravitate to Ms Chiuri’s sartorial interpretation of The Fool! 

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