In posting this painting, I fear becoming known as “That Tim Walker-crazed painter”. Not only that, but Tim Walker – or his agent, anyway – may not be all that keen in my depictions of his inspired settings and/or concepts behind his photo shoots. Be what may: I joined two of his photos together here. While his bride appeared in a 2016 issue of “British Vogue”, the model in black originated in a 2009 issue of “Italia Vogue”. And I could not resist the contrast!
First, an apology to adorable model Hyunji Shin. When working from Terry Tsiolis’ photo [in an editorial from the July 2018 issue of Elle] my foremost intent was to depict this incredible outline of the Marc Jacobs gown; I hardly did justice in Hyunji’s face! Yet, painting wet on wet is still rather foreign to me. One has to relinquish a lot of control – and those who know me will understand…
There are fashion magazine clippings which I have kept in a binder over the years… [And I do try to keep impulsive clipping at a reasonable binder management level. To “try”, being relative.] My most recent muse came by way of W Magazine and, more to the point, photographer Willy Vanderperre. His photograph offered me two elements I could not resist: lovely hand gesturing and challenging shadows. And I title this as Shear over Sheer because most challenging for me was in knowing when and what to omit.
From a Rossettiesque photo by Peter Lindbergh, a Galliano gown is featured. I liked the near weariness in the model’s pose. And while the original photo [featured in Vogue, I believe] had her set against dark greens and what looked like ivy growing from the ground, I chose to add a bed of Iris instead. As my own Iris is now in bloom, will I follow them?
There is an adorable model who is not entirely depicted in this piece. And when I searched on photographer Marc de Groot’s online portfolio to look for her name, it couldn’t be found… But it was her hands that I loved most. Me, being me, I took some liberties with both her hair and the corset she wore. Maybe I should be calling her “Little Peacock”?
*Also, a thanks to the inspired work of Mr Barry Blitt!
“I’m so cold!” Even though Winter had transitioned finally to Spring, those three words had incessantly repeated in my mind. Half of my apartment is below ground – with little to insulate me from the rock it is built upon. My hands remained rigid, posing a problem in carrying out detailed paintings. So, the cold became a muse of sorts. Colored pencils occupied me until a new heater arrived. And my sanity, somewhat restored!
Yes, friends: Take heart! I had wanted to post this image in time so that it would be visible on or before Christmas Day… However, due to holiday chaos and intergalatic tomfoolery – as well as other hits which I’d just as soon not mention – I didn’t meet that mark. And being late for anything is not something that I am generally known as being.
Voila! With wishes to you all of peace, wellness, & merriment, Jeni Moore
I suppose it was inevitable. The time of arrival – when I would no longer have a mutually exclusive relationship with my own works. While I enjoy the kindness and support of my web base, hand rendered art really needs to be exposed to natural light. All of this to say, my own is now up at the Green Marble Coffee House for the entire month. And I would love for you to have a look!
No one will identify über-model Karlie Kloss in this color pencil sketch – but then the same could be said in Tim Walker’s photograph of her, taken for a British Vogue fashion editorial back in 2010. That’s alright, as that wasn’t my aim.
And when I returned to using my own hand in my art, I hadn’t intended to focus a whole lot on mastering figure drawing. [Nor did I intend to use color pencils all that much!] Yet between this extraordinary pose and vibrant greens, I just couldn’t resist the challenge.
Right before posting I have a great temptation to change the title of this painting to “The Three Muses” – or, “The Three Graces”. Truthfully? I haven’t got the whole “Gods and Goddesses” background to pull it off. Not to mention that the costume designs were inspired by an era when The Flapper was all the rage…
This gouache painting measures approximately 10.5” x 8.5”.
In this aerialist depiction, the question of “More? Or, less?” made me buggers. This piece, measuring 8.5″ x 9.5″, was painted with watered Gelatos – on some pretty pricey paper. While rather happy with it, my greater penchant to move on to “the next” ultimately won.