Eugene and Sergey of Gogol Bordello

Projects Series

Who is Eugene Hütz?

This is what I asked myself after seeing a photo of him standing next to Iggy Pop, taken shortly after the annual Tibet House fundraising concert of 2016. And, I’m glad I searched this Eugene… which led me to the music of Gogol Bordello.

I’m now a bit of a Gogol fanatic – and I finally had the chance to see the band live in Providence last month! In my “homage sketch”, in which I must credit photographer Rich Russo of Music Madness magazine, I had to confine myself to depicting Eugene and his mate, Sergey Ryabtsev.

Pencil sketch of gypsy punk band members, Gogol Bordello's Eugene and Sergey.

Eugene and Sergey of Gogol Bordello

After which, I modified the color levels and printed out a duplicate for coloring:

A duplicate of the above pencil sketch with colors added.

Yacht Pajamas by Edward Molyneux, 1934

Projects Series

My interest in designer Edward Molyneux [b. 1891, d. 1974] was ignited by my friendship with Pati Hill. Before Pati’s death in 2014, I had only known that she once modeled for fashion magazines and French ateliers back in the 1940s… I must credit my friends Nicole and Richard in their very thorough research done for the exhibition catalog: “Pati Hill: Photocopier”

In 1919, British born Molyneux established himself in Paris. Many of his clients later became globally known fashion icons.  Finding photos depicting Molyneux designed clothing isn’t easy – however I rather liked this ensemble found in a d’Ora studio shot [the model, unknown] from 1934.

A sketch and watercolor taken from a d'Ora 1934 photo of a model wearing nautical theme pajamas.

 

Beaches

Graphic, Projects Series

One of the most idyllic scenes as far as subject appeal for me is that of a woman, alone – or seemingly alone – on a beach. A girl or woman needing no one or nothing more than sea and sand.

In this I sketched from a photo taken by Chris Colls. [If the notations left on it are illegible, I also credit Gigi Hadid, Michael Kors – for the swimsuit, and Elle magazine.] The retro nod in her swimsuit being an aesthetic bonus.

Model Gigi Hadid in a Michael Kors swimsuit from a photo taken by Chris Colls, done in a pencil sketch.

Gigi by Chris Colls 2019

Dior Corset 2019

Projects Series

Maybe watching “Madame Bovary” [2014] again – in all of its endless lacing of and tightening in corsets – convinced me to post this little sketch. 

Mario Sorrenti is the photographer extraordinaire behind it all here. Hailey B-B [Baldwin Bieber] cinched in a Dior corset/gown from its Spring 2019 collection for Harper’s Bazaar March issue.

Pencil sketch from a photo taken by Mario Sorrenti depicting Hailey Bieber in a Dior ensemble.

Hailey in Dior 2109

 

 

Dior’s “Pas de Deux”

Projects Series

Maybe it’s just me. Yet, while flipping through the Spring/Summer 2019 collections I felt a bombardment of exaggeration. 

However, Thank you, Maria Grazia Chiuri! Chiuri is the creative director at Dior. As stated on the Dior website, the present campaign came about to embrace “the body in movement”. Nuanced. And gauzy without obscuring.

dior-spring-2019

Paper Rag Doll

Brushwork, Projects Series

The original editorial in W’s #2 2019 issue had model Rianne Van Rompaey with super sized lacquered hair. If my version is a slight to stylist Grace Coddington’s vision, I beg forgiveness. Craig McDean’s photos are beguiling – and I was hooked. (The clothing, primarily Valentino.)

To stay nearly true to the lighting I wound up using some of my student grade colored pencils, with a light wash and a dash of semi-soft pastels for the background.

Colored pencil sketch with wash depicting model Rianne Van Rompaey wearing a Valentino ensemble. featured in the Spring issue of W Magazine.

Rianne Van Rompaey in Valentino

Sketching Schiaparelli

Brushwork, Projects Series

Last year while shopping used books, I happened upon one entitled: “Schiaparelli and Prada: Impossible Conversations”.

https://www.metmuseum.org/press/exhibitions/2012/schiaparelli-and-prada-press-release

To be more exact, this book is the catalog from the Metropolitan’s 2012 exhibition. Whenever buying a museum catalog, there are rarely previews of its contents. Priced at “a steal” level, I was stunned when it arrived; both the quality and quantity of images within are curated with imaginative consideration.

This sketch was done from a photo by Regina Relang in 1938. I do love “Persian Lamb” – as seen in this Elsa Schiaparelli jacket in its collar, cuffs, and gloves. [To be really forthcoming, I didn’t know what that curly black fabric was called until I researched it, mid-sketch!]

Mixed media used in greyscale rendering of an Elsa Schiaparelli outfit from 1938.

Schiaparelli Ensemble 1938

 

Shanelle on Parchment

Projects Series

Needing a break from my pen and ink studies, I looked to the Spring 2019 fashion pages. Vogue’s March issue has a profile piece on the [often] nomadic minded Rick Owens. As I just happened to have parchment paper within reach, I began sketching Shanelle Nyaiase [as photographed by Zoe Ghertner] and was intrigued with just how graphite appears in the process.

While colored pencils, understandably, might have been a bad turn… Yet I can never resist when an orange hue is involved!

Shanelle Wearing Rick Owens

My 2018 Holiday Muses

Brushwork, Projects Series, Seasonal Designs
A vibrant gouache painting which depicts three female muses in tribute to all arts

Arts Muses

The ability to imagine is a vital asset to us all. While not everyone uses this power for good, and then some very sadly don’t have access to its benefits, our imagination is the first step towards change and understanding and progress.

Generally speaking, I don’t share my personal woes with the virtual world. Yet, and with few exceptions, 2018 felt like one woeful day after another. Spring, Summer, and Fall seemed to simply pass me by… Like a year with nothing but a Winter of fear and discontent.

However, I am stubborn. No matter how bad things were, I remained committed each day in creating one thing or another. Such is the powerful force of art.

This year, now soon reaching to the next, I pay tribute to a variety of the Arts – by way of these muses. They are the graces of the written word, music & dance, and visual creations. Furthermore, they are also my saving graces.

As are all of you! Happy Holidays!!

 

That Twist

Brushwork, Projects Series

In the mid-Sixties, twenty year old German countess Vera Gottliebe Anna Gräfin von Lehndorff-Steinort was transformed into the now legendary model known as Veruschka. Photographer Richard Avedon, who I recall as that era’s Annie Leibovitz [as in “you know you’ve arrived if you’re posing for…”]  produced many of his fashion iconic images with Veruschka.  The stunning photo below was taken during Avedon’s tenure at Vogue.

Black and white photo of Veruschka taken by Richard Avedon

Richard Avedon photo of Veruschka, 1967

My own take on that photo became a kind of neon negative, done in gouache and watercolor:

Gouache and watercolor painting of Veruschka in reds and purple against a bright yellow background

That Twist

Nethery and Tilberg in “State of Grace”

Brushwork, Projects Series

For the sartorial minded September is the month that releases brick-heavy issues from Vogue, Harper’s Bazaar and Elle. Furthermore, these September magazines are usually abundant with pages and pages for my own inspiration. But what is going on for 2018?! All I could see was a deluge of extremes. Puffy coats on steroids. Gym wear, ala haute couture. And, really?! A revival bringing the worst of the Eighties.

Yet, Marie Claire’s September offered some redemption. And it came by way of an editorial [no kidding!] titled “State of Grace”.  Photographer Robert Nethery uses an exquisite flood of light in his work, so that model Tasha Tilberg appears beautifully near-translucent.

A gouache portrait of Tasha Tilberg from a Robert Nethery photo in which she holds a small white dog

Nethery’s Tasha

Piera Gelardi

Brushwork, Projects Series

“There is a great strength and connection that can come from vulnerability, it connects us as humans.”~ Piera Gelardi

I painted Piera Gelardi before even learning her name. And I don’t typically find beauty ads to be all that rich insofar as inspiring me – yet, her face is featured in a series that was launched by Olay. Aside from her regal nose and mesmerizing eyes, Gelardi has a message I should keep with me, always!

Gouache painting of the face of Piera Gelardi

Piera