Live! At the Green Marble!

Brushwork

I suppose it was inevitable. The time of arrival – when I would no longer have a mutually exclusive relationship with my own works. While I enjoy the kindness and support of my web base, hand rendered art really needs to be exposed to natural light. All of this to say, my own is now up at the Green Marble Coffee House for the entire month. And I would love for you to have a look!

A promotional flyer announcing an exhibit at the Green Marble Cafe, which is titled Riff Raff

September Show at Green Marble

 

 

Crossed Pollination

Brushwork

Is there a back story here? The technical one is that this piece is 11″ wide by 7.75″ in height and I painted it using Gelatos, mixed with water. Despite the more lively colors in the elements, I began to sense an imagery of civilization’s recklessness with our environment. [Then, maybe that’s just me.]

Abstract painting of vibrant organic shapes against a black background

Crossed Pollination

Ripples

Brushwork

In this, there was no plan. In front of me was 8.5 inches by 8.5 inches of space and that was it. My brush, loaded with gouache, went to a corner and I just kept going. When I felt it was more or less complete, I had sent the image to an artist friend who then deemed it [something like] very Carl Jung. I presume he had Jung’s “The Red Book” in mind. And that’s okay by me.

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Ripples

Diaphanous

Brushwork

Fashion magazines provide inspiration – particularly when the more voluminous September issues arrive. Billowy and ruffled clothing – which I rarely wear, if ever – found in some editorial spreads mesmerize me. Photographer David Sims captured model Liya Kebede in some crazy motion for Vogue’s Fall 2015 issue. Take special notice of her skirt:

liya-kebede

From this I produced many variations of what I’ve been calling my Diaphanous series. As seen in this 5″ x 8″ gouache below:

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