Primary colors – such as the red and blue, dominating here – typically hold no allure for me. But when I paired the red and blue I felt such a bolt of power projecting from it. Striking. So where the “topography” elements nearly intersect, it became rather corrosive. Gold nuggets acting as meteorites…
In 1956, a photographer [without credit] from the Press Association caught Brigitte Bardot while she was in Cannes. To me, the dress that Bardot was wearing in this image appeared as joyous as the look on her face:
Below, is my own spin – which I painted using water colors:
Is there a back story here? The technical one is that this piece is 11″ wide by 7.75″ in height and I painted it using Gelatos, mixed with water. Despite the more lively colors in the elements, I began to sense an imagery of civilization’s recklessness with our environment. [Then, maybe that’s just me.]
In this, there was no plan. In front of me was 8.5 inches by 8.5 inches of space and that was it. My brush, loaded with gouache, went to a corner and I just kept going. When I felt it was more or less complete, I had sent the image to an artist friend who then deemed it [something like] very Carl Jung. I presume he had Jung’s “The Red Book” in mind. And that’s okay by me.
A momentary veering off from the Diaphanous series. Measuring at 5 inches wide by 8 inches in height, this piece comes from my exploration in working with gouache. Its colors are actually taken from the ones in my home’s bathroom. Drip… drip… drip.
Fashion magazines provide inspiration – particularly when the more voluminous September issues arrive. Billowy and ruffled clothing – which I rarely wear, if ever – found in some editorial spreads mesmerize me. Photographer David Sims captured model Liya Kebede in some crazy motion for Vogue’s Fall 2015 issue. Take special notice of her skirt:
From this I produced many variations of what I’ve been calling my Diaphanous series. As seen in this 5″ x 8″ gouache below: