Nethery and Tilberg in “State of Grace”

Brushwork, Projects Series

For the sartorial minded September is the month that releases brick-heavy issues from Vogue, Harper’s Bazaar and Elle. Furthermore, these September magazines are usually abundant with pages and pages for my own inspiration. But what is going on for 2018?! All I could see was a deluge of extremes. Puffy coats on steroids. Gym wear, ala haute couture. And, really?! A revival bringing the worst of the Eighties.

Yet, Marie Claire’s September offered some redemption. And it came by way of an editorial [no kidding!] titled “State of Grace”.  Photographer Robert Nethery uses an exquisite flood of light in his work, so that model Tasha Tilberg appears beautifully near-translucent.

A gouache portrait of Tasha Tilberg from a Robert Nethery photo in which she holds a small white dog

Nethery’s Tasha

Piera Gelardi

Brushwork, Projects Series

“There is a great strength and connection that can come from vulnerability, it connects us as humans.”~ Piera Gelardi

I painted Piera Gelardi before even learning her name. And I don’t typically find beauty ads to be all that rich insofar as inspiring me – yet, her face is featured in a series that was launched by Olay. Aside from her regal nose and mesmerizing eyes, Gelardi has a message I should keep with me, always!

Gouache painting of the face of Piera Gelardi

Piera

Natasha Ramsay-Levi Study

Brushwork, Projects Series

There is so much more behind my being mesmerized by Natasha Ramsay-Levi’s face that transcends the surface. Found in W Magazine’s Volume 4 2018 issue, I then went online to find out more about the photographer Paolo Roversi. Within the bio I’d located, I learned that Roversi’s first assignment for the AP was to cover Ezra Pound’s funeral – which alone is an auspicious start for a photographer’s journey. And in her position as creative director for Chloé, Ramsay-Levi has brought some extraordinary and admirable views and visions…

Photo by Paolo Roversi

My colored pencil depiction from the above:

 

Colored pencil with water sketch of natasha ramsay-levi

Life Drawing: Mid-Century Style

Brushwork, Projects Series

One can never predict what sort of setting will be staged before entering the studio since I’ve joined this life drawing group. For last night’s session, our model Ashley was seated upon a truly far-out, vintage, mid-century chair – with its matching turquoise ottoman! After bringing my sketches home, I was compelled to add color to this particular one. Yet, with a light hand. [Yeah – imagine that!]

ashley-with-overlay

Ashley in Mid-Century

 

Marisa by Penn

Brushwork, Projects Series

The actual title I give this painting is “A Girl Can Dream” – as Marisa Berenson has mesmerized me since my own childhood/girl years. A case of Marisa envy, if you will. And the photo behind the painting is another I’ve held onto for I-don’t-know-how-long! The original was shot by Irving Penn. [Interesting side note: My father had been a commercial photographer and disliked the work of Penn. However, he never elaborated on this.] And with as much credit compliance I can provide, I can only assume that this Penn assignment first appeared in Vogue. That is my guess and can also only speculate on the year it was taken.

An Irving Penn photo of Marisa Berenson, who is wearing a pink outfit

Marisa Berenson by Irving Penn

Plainly, a lot of artistic license factored in this. In addition to modifying her Adele Simpson outfit, I riffed a bit from Milton Glaser in transforming her hair. [See iconic image of Bob Dylan which Glaser illustrated for his greatest hits release, 1966.]

Gouache painting of an Irving Penn photo which features Marisa Berenson, with artistic modification of colors and hair

A Girl Can Dream

To Have and To Hold

Brushwork, Projects Series

In posting this painting, I fear becoming known as “That Tim Walker-crazed painter”. Not only that, but Tim Walker – or his agent, anyway – may not be all that keen in my depictions of his inspired settings and/or concepts behind his photo shoots. Be what may: I joined two of his photos together here. While his bride appeared in a 2016 issue of “British Vogue”, the model in black originated in a 2009 issue of “Italia Vogue”. And I could not resist the contrast!

Gouache painting depicting photographed models by Tim Walker

To Have and To Hold

Hyunji in Marc

Brushwork, Projects Series

First, an apology to adorable model Hyunji Shin. When working from Terry Tsiolis’ photo [in an editorial from the July 2018 issue of Elle] my foremost intent was to depict this incredible outline of the Marc Jacobs gown; I hardly did justice in Hyunji’s face! Yet, painting wet on wet is still rather foreign to me. One has to relinquish a lot of control – and those who know me will understand…

Watercolor fashion illustration of model Hyunji Shin in a fuchsia Marc Jacobs gown, from photo by Terry Tsiolis

Hyunji in Marc

 

 

Shear Blue Gloves

Brushwork, Projects Series

There are fashion magazine clippings which I have kept in a binder over the years… [And I do try to keep impulsive clipping at a reasonable binder management level. To “try”, being relative.] My most recent muse came by way of W Magazine and, more to the point, photographer Willy Vanderperre. His photograph offered me two elements I could not resist: lovely hand gesturing and challenging shadows. And I title this as Shear over Sheer because most challenging for me was in knowing when and what to omit.

Watercolor illustration of a Willy Venderperre photo featuring a woman wearing a military jacket and hat, with blue mesh gloves

Shear Blue Gloves

 

Galliano’s Peacock

Brushwork, Projects Series

From a Rossettiesque photo by Peter Lindbergh, a Galliano gown is featured. I liked the near weariness in the model’s pose. And while the original photo [featured in Vogue, I believe] had her set against dark greens and what looked like ivy growing from the ground, I chose to add a bed of Iris instead. As my own Iris is now in bloom, will I follow them?

watercolor painting of a red haired woman wearing a Galliano gown. Featuring Iris bloom in the background, with the gown in the colors of a peacock.

Galliano’s Peacock

The Hands

Brushwork, Projects Series

There is an adorable model who is not entirely depicted in this piece. And when I searched on photographer Marc de Groot’s online portfolio to look for her name, it couldn’t be found… But it was her hands that I loved most. Me, being me, I took some liberties with both her hair and the corset she wore. Maybe I should be calling her “Little Peacock”?

watercolor painting taken from a photo by Marc de Groot of a black female model, featuring her hands

The Hands

*Also, a thanks to the inspired work of Mr Barry Blitt!

Live! At the Green Marble!

Brushwork

I suppose it was inevitable. The time of arrival – when I would no longer have a mutually exclusive relationship with my own works. While I enjoy the kindness and support of my web base, hand rendered art really needs to be exposed to natural light. All of this to say, my own is now up at the Green Marble Coffee House for the entire month. And I would love for you to have a look!

A promotional flyer announcing an exhibit at the Green Marble Cafe, which is titled Riff Raff

September Show at Green Marble

 

 

Harlequin

Projects Series

No one will identify über-model Karlie Kloss in this color pencil sketch – but then the same could be said in Tim Walker’s photograph of her, taken for a British Vogue fashion editorial back in 2010. That’s alright, as that wasn’t my aim.

And when I returned to using my own hand in my art, I hadn’t intended to focus a whole lot on mastering figure drawing. [Nor did I intend to use color pencils all that much!] Yet between this extraordinary pose and vibrant greens, I just couldn’t resist the challenge.

Colored pencil sketch of a Tim Walker photo depicting Karlie Kloss, who is dressed in ruffled green outfit and has her face painted as a harlequin.

Harlequin