Bride and Groom – Groom and Bride

Projects Series

Do I dare to even imagine the red carpet hoopla which will descend at the Met’s gala for their upcoming “Camp: Notes on Fashion” costume exhibition?! Already I am beside myself over Vogue’s May 2019 issue…

Their editorial “warm-up” is entitled Breaking Camp. Already stupidly giddy over actor Ezra Miller, I’m now smitten with his photo shoot partner Keiynan Lonsdale – both attired in Thom Browne. Furthermore, I am {SO!} now following photographer Ethan James Green.

Pencil sketch of an Ethan James Green photo for Vogue of two young men in a matrimonial pose.

Sketch of Ethan James Green photo [May 2019 of Vogue]

A simple pencil sketch with touches of violet – but uncharacteristic in this is that I used a bit of color burn filtering for its presentation here.

Yacht Pajamas by Edward Molyneux, 1934

Projects Series

My interest in designer Edward Molyneux [b. 1891, d. 1974] was ignited by my friendship with Pati Hill. Before Pati’s death in 2014, I had only known that she once modeled for fashion magazines and French ateliers back in the 1940s… I must credit my friends Nicole and Richard in their very thorough research done for the exhibition catalog: “Pati Hill: Photocopier”

In 1919, British born Molyneux established himself in Paris. Many of his clients later became globally known fashion icons.  Finding photos depicting Molyneux designed clothing isn’t easy – however I rather liked this ensemble found in a d’Ora studio shot [the model, unknown] from 1934.

A sketch and watercolor taken from a d'Ora 1934 photo of a model wearing nautical theme pajamas.

 

Paper Rag Doll

Brushwork, Projects Series

The original editorial in W’s #2 2019 issue had model Rianne Van Rompaey with super sized lacquered hair. If my version is a slight to stylist Grace Coddington’s vision, I beg forgiveness. Craig McDean’s photos are beguiling – and I was hooked. (The clothing, primarily Valentino.)

To stay nearly true to the lighting I wound up using some of my student grade colored pencils, with a light wash and a dash of semi-soft pastels for the background.

Colored pencil sketch with wash depicting model Rianne Van Rompaey wearing a Valentino ensemble. featured in the Spring issue of W Magazine.

Rianne Van Rompaey in Valentino

Shanelle on Parchment

Projects Series

Needing a break from my pen and ink studies, I looked to the Spring 2019 fashion pages. Vogue’s March issue has a profile piece on the [often] nomadic minded Rick Owens. As I just happened to have parchment paper within reach, I began sketching Shanelle Nyaiase [as photographed by Zoe Ghertner] and was intrigued with just how graphite appears in the process.

While colored pencils, understandably, might have been a bad turn… Yet I can never resist when an orange hue is involved!

Shanelle Wearing Rick Owens

Revisiting the Arch Series

Brushwork, Projects Series

It was in February 2016 when I first announced – online, here – that I was devoting myself to the traditional mediums with my art. Although, originally the idea had been to pursue combining paintings with digital imagery. [See: Brushwork] Which didn’t actually pan out, exactly.

Anyway, rather than include this piece in the Diaphanous collection, I feel it speaks more of the Arch series due to the mirroring, et al. Painted with watered Gelatos, it measures 9 ¾” x 6”. Is this dawn and dusk at an intersection?

Gelato painting of two streams of cloth against a lime green background.

Arch 17-01

Diaphanous

Brushwork

Fashion magazines provide inspiration – particularly when the more voluminous September issues arrive. Billowy and ruffled clothing – which I rarely wear, if ever – found in some editorial spreads mesmerize me. Photographer David Sims captured model Liya Kebede in some crazy motion for Vogue’s Fall 2015 issue. Take special notice of her skirt:

liya-kebede

From this I produced many variations of what I’ve been calling my Diaphanous series. As seen in this 5″ x 8″ gouache below:

diaphanous-topography-wp