The original editorial in W’s #2 2019 issue had model Rianne Van Rompaey with super sized lacquered hair. If my version is a slight to stylist Grace Coddington’s vision, I beg forgiveness. Craig McDean’s photos are beguiling – and I was hooked. (The clothing, primarily Valentino.)
To stay nearly true to the lighting I wound up using some of my student grade colored pencils, with a light wash and a dash of semi-soft pastels for the background.
Rianne Van Rompaey in Valentino
Needing a break from my pen and ink studies, I looked to the Spring 2019 fashion pages. Vogue’s March issue has a profile piece on the [often] nomadic minded Rick Owens. As I just happened to have parchment paper within reach, I began sketching Shanelle Nyaiase [as photographed by Zoe Ghertner] and was intrigued with just how graphite appears in the process.
While colored pencils, understandably, might have been a bad turn… Yet I can never resist when an orange hue is involved!
Shanelle Wearing Rick Owens
It was in February 2016 when I first announced – online, here – that I was devoting myself to the traditional mediums with my art. Although, originally the idea had been to pursue combining paintings with digital imagery. [See: Brushwork] Which didn’t actually pan out, exactly.
Anyway, rather than include this piece in the Diaphanous collection, I feel it speaks more of the Arch series due to the mirroring, et al. Painted with watered Gelatos, it measures 9 ¾” x 6”. Is this dawn and dusk at an intersection?
Fashion magazines provide inspiration – particularly when the more voluminous September issues arrive. Billowy and ruffled clothing – which I rarely wear, if ever – found in some editorial spreads mesmerize me. Photographer David Sims captured model Liya Kebede in some crazy motion for Vogue’s Fall 2015 issue. Take special notice of her skirt:
From this I produced many variations of what I’ve been calling my Diaphanous series. As seen in this 5″ x 8″ gouache below:
I find that designing within smaller spaces to be a particular challenge.
Especially when a lot of elements need to be seen.
- Rhode Island Community of Mindfulness