Faces. How to explain whose face will lure me in cannot be easily expressed. Nor could I articulate why one photo among countless others compels me to render it, by whatever means. In this sketch of Yasmin Wijnaldum, she wears Bottega Veneta for a 2018 Elle editorial.
Photographer Chris Colls, versatile – and cunning in this instance, captures Yasmin beautifully by cleverly setting this overcoat against the grid of a rusted fence.
How did this escape me at the time of receipt? Again, I have no idea!
One of the most idyllic scenes as far as subject appeal for me is that of a woman, alone – or seemingly alone – on a beach. A girl or woman needing no one or nothing more than sea and sand.
In this I sketched from a photo taken by Chris Colls. [If the notations left on it are illegible, I also credit Gigi Hadid, Michael Kors – for the swimsuit, and Elle magazine.] The retro nod in her swimsuit being an aesthetic bonus.
First, an apology to adorable model Hyunji Shin. When working from Terry Tsiolis’ photo [in an editorial from the July 2018 issue of Elle] my foremost intent was to depict this incredible outline of the Marc Jacobs gown; I hardly did justice in Hyunji’s face! Yet, painting wet on wet is still rather foreign to me. One has to relinquish a lot of control – and those who know me will understand…
I was drawn to a tunic featured in the April 2016 issue of Elle. Although in this painted diptych, I’ve butchered it beyond recognition – with much due respect to photographer Liz Collins and the tunic’s designer, Michael Kors. Furthermore, this garment isn’t actually diaphanous – in that I had taken what was brown suede and then interpreted it in a very different way.