More often than not, my subjects are a mystery to me when in the process of either sketching or painting them. It is only after I’ve finished a piece when I then go online to acquaint myself with my subject – along with the creatives behind the photo.
Elisa, Photographed by Angelo Pennetta for W Magazine.
This watercolor came by way of a tribute to Karl Lagerfeld which is featured in the current issue of W . Photographer Angelo Pennetta – whose work is lauded worldwide – is seemingly a private man… Stylist Sara Moonves, in an inspired move, lent her own veil to Elisa Sednaoui. While Elisa Sednaoui, I learned, began her own foundation in 2013 which allows children from both Bra, Italy and Luxor, Egypt to discover the world and power of the arts. Now that’s remarkable!
Elisa Sednaoui in Chanel
Just last month I had posted my rendering of Dorothea McGowan, in which she was crowned in flowers… There is actually a veritable Candyland out there of Sixties era McGowan photo shoots. Among them, a stunning vignette which is credited as photographed by William Bell. Other than his many other credits when he had worked for Vogue magazine, I had no luck in finding out more about the man.
In this [primarily] oil pastel piece, I knew I could only try to capture the overall mood. Also, there is no monkey to be found in the photo which I worked from. Of course that didn’t prevent me from adding one.
The original editorial in W’s #2 2019 issue had model Rianne Van Rompaey with super sized lacquered hair. If my version is a slight to stylist Grace Coddington’s vision, I beg forgiveness. Craig McDean’s photos are beguiling – and I was hooked. (The clothing, primarily Valentino.)
To stay nearly true to the lighting I wound up using some of my student grade colored pencils, with a light wash and a dash of semi-soft pastels for the background.
Rianne Van Rompaey in Valentino