Revisiting the Arch Series

Brushwork, Projects Series

It was in February 2016 when I first announced – online, here – that I was devoting myself to the traditional mediums with my art. Although, originally the idea had been to pursue combining paintings with digital imagery. [See: Brushwork] Which didn’t actually pan out, exactly.

Anyway, rather than include this piece in the Diaphanous collection, I feel it speaks more of the Arch series due to the mirroring, et al. Painted with watered Gelatos, it measures 9 ¾” x 6”. Is this dawn and dusk at an intersection?

Gelato painting of two streams of cloth against a lime green background.

Arch 17-01

A Return to the Diaphanous Series

Brushwork, Projects Series

In this painting, I have photographer Jorge Badura to thank. Harper’s Bazaar, in their November 2016 issue, called in Badura to photograph an editorial that had featured a group of fantastic, skyscraper scaling, aerialists who took to the skies while dressed in haut coutures.

Hence the title: Diaphanous Scaling [“Gelato” painting, 14″ x 10″]

A Gelatos medium painting featuring billowy skirts in hues of gold and orange that are set against a blue sky

Diaphanous Scaling

A Homage to Fashion Illustration

Brushwork

Many people without any artistic skills might view classic fashion illustrations as seemingly effortless to pull off. [When I say “classic”, David Downton comes to mind.] Those people would be so wrong. The key to creating a striking piece, I would say, has more to do with just the right amount of restraint. In this Gelatos medium image, which I call “Les Autres Femmes” [The Other Women], I’d be the first to say I didn’t nail it. And there is a story behind it – but that will remain my secret.

Les Autres Femmes

Les Autres Femmes

“Holy”

Brushwork

Okay… I hesitate to comment on this piece. But what is it to worship? Within the pages of my beaten old Webster’s Dictionary, the word “worship” – in part – includes “intense love”.  Given the times, I just have to wonder. More than wonder, I painted this diptych. [Added note: I used Gelatos with water and all depicted was almost entirely eyeballed – without rulers, etc.]

Diptych painted in Gelatos of two ornate windows set against black with red religious symbols

Holy

Crossed Pollination

Brushwork

Is there a back story here? The technical one is that this piece is 11″ wide by 7.75″ in height and I painted it using Gelatos, mixed with water. Despite the more lively colors in the elements, I began to sense an imagery of civilization’s recklessness with our environment. [Then, maybe that’s just me.]

Abstract painting of vibrant organic shapes against a black background

Crossed Pollination

Diaphanous Companion

Brushwork

I was drawn to a tunic featured in the April 2016 issue of Elle. Although in this painted diptych, I’ve butchered it beyond recognition – with much due respect to photographer Liz Collins and the tunic’s designer, Michael Kors. Furthermore, this garment isn’t actually diaphanous – in that I had taken what was brown suede and then interpreted it in a very different way.

A diptych painted with gelatos depicting vibrant sections of a tunic

Diaphanous Companion

More Haute Couture Cuts

Brushwork

Within this presentation for Dior, my gaze fixated on only the bottom half of their ad. I had been working on a new triptych for my “Diaphanous” series and it seemed to be lacking… something… So, I have to thank Dior for providing me with an answer, found here:

A Dior ad featuring two models, both wearing billowy attire.

Dior Ad for Spring 2016