From the archives of Harper’s Bazaar, I was very touched by a 1948 picture that had been taken by Louise Dahl-Wolfe. As we are all now vulnerable, the way in which this [uncredited] model held a handkerchief in front of a porch beam gave me some sense of empathy and reassurance. In my own illustration and more than anything else, I tried to bring out what I sensed – rather than what is seen in the original.
Photographer Louise Dahl-Wolfe [b. 1895, d. 1989] is credited with influencing a number of the most coveted fashion photographers of the Mid-century era. Dahl-Wolfe did so by using naturalized settings and the advancement in producing full color images during the Forties and Fifties for fashion shoots in her role as a staff photographer for Harper’s Bazaar.
Despite having her work exhibited in galleries and museums, Louise Dahl-Wolfe – according to a quote I found online at Museum of Contemporary Photography in Chicago – was not of the opinion that photography could be considered Fine Art.