For the sartorial minded September is the month that releases brick-heavy issues from Vogue, Harper’s Bazaar and Elle. Furthermore, these September magazines are usually abundant with pages and pages for my own inspiration. But what is going on for 2018?! All I could see was a deluge of extremes. Puffy coats on steroids. Gym wear, ala haute couture. And, really?! A revival bringing the worst of the Eighties.
Yet, Marie Claire’s September offered some redemption. And it came by way of an editorial [no kidding!] titled “State of Grace”. Photographer Robert Nethery uses an exquisite flood of light in his work, so that model Tasha Tilberg appears beautifully near-translucent.
There is so much more behind my being mesmerized by Natasha Ramsay-Levi’s face that transcends the surface. Found in W Magazine’s Volume 4 2018 issue, I then went online to find out more about the photographer Paolo Roversi. Within the bio I’d located, I learned that Roversi’s first assignment for the AP was to cover Ezra Pound’s funeral – which alone is an auspicious start for a photographer’s journey. And in her position as creative director for Chloé, Ramsay-Levi has brought some extraordinary and admirable views and visions…
Photo by Paolo Roversi
My colored pencil depiction from the above:
I didn’t know who a Tod A. was until a couple of months ago. Nor had I been acquainted with his band Firewater… [I’m usually late for the proverbial party.] However he doesn’t know me either. Furthermore, he doesn’t know that the Firewater album “Ponzi Scheme” – released by Universal in 1998 – has been fueling me at conspicuous frequency lately.
Tod A. is an expat and has been since the George W. Bush years. Given the present American landscape, need I say more? Maybe a 5.5” x 8.5” in strictly No. 2 pencil doesn’t do him justice. I gave it my best anarchist try…