This is what I asked myself after seeing a photo of him standing next to Iggy Pop, taken shortly after the annual Tibet House fundraising concert of 2016. And, I’m glad I searched this Eugene… which led me to the music of Gogol Bordello.
I’m now a bit of a Gogol fanatic – and I finally had the chance to see the band live in Providence last month! In my “homage sketch”, in which I must credit photographer Rich Russo of Music Madness magazine, I had to confine myself to depicting Eugene and his mate, Sergey Ryabtsev.
Eugene and Sergey of Gogol Bordello
After which, I modified the color levels and printed out a duplicate for coloring:
For the sartorial minded September is the month that releases brick-heavy issues from Vogue, Harper’s Bazaar and Elle. Furthermore, these September magazines are usually abundant with pages and pages for my own inspiration. But what is going on for 2018?! All I could see was a deluge of extremes. Puffy coats on steroids. Gym wear, ala haute couture. And, really?! A revival bringing the worst of the Eighties.
Yet, Marie Claire’s September offered some redemption. And it came by way of an editorial [no kidding!] titled “State of Grace”. Photographer Robert Nethery uses an exquisite flood of light in his work, so that model Tasha Tilberg appears beautifully near-translucent.
There is so much more behind my being mesmerized by Natasha Ramsay-Levi’s face that transcends the surface. Found in W Magazine’s Volume 4 2018 issue, I then went online to find out more about the photographer Paolo Roversi. Within the bio I’d located, I learned that Roversi’s first assignment for the AP was to cover Ezra Pound’s funeral – which alone is an auspicious start for a photographer’s journey. And in her position as creative director for Chloé, Ramsay-Levi has brought some extraordinary and admirable views and visions…
I didn’t know who a Tod A. was until a couple of months ago. Nor had I been acquainted with his band Firewater… [I’m usually late for the proverbial party.] However he doesn’t know me either. Furthermore, he doesn’t know that the Firewater album “Ponzi Scheme” – released by Universal in 1998 – has been fueling me at conspicuous frequency lately.
Tod A. is an expat and has been since the George W. Bush years. Given the present American landscape, need I say more? Maybe a 5.5” x 8.5” in strictly No. 2 pencil doesn’t do him justice. I gave it my best anarchist try…