When researching for a little background story to accompany my sketch which is taken from a 1949 photo by Sir Cecil Beaton, I found Beaton himself being interviewed that the BBC had aired in 1962. Because Beaton had not just “one vocation” – his photography, theatrical stage design, and writing, to name a few – he was asked “Does photography keep going all the time?” In answer Beaton says, “No, uh… I don’t want to get stale at it. … I want to try to remain an amateur at it in order that I have the amateur’s freshness and spontaneity.”
I feel rather aligned with that belief a great deal of the time. Yes, there are times when I yearn for a level of decisiveness in mastering a medium; but would it also feel painfully repetitive?
After viewing the BBC interview, I continued on this YouTube track by watching a film entitled “Beaton by Bailey”. In this, photography legend David Bailey more or less profiles Cecil Beaton in documented snippets. Some of these, lovingly. But then some, a bit tarnished. What I had taken away from the contrast is that Beaton’s works were better with seasoned muses. For Vogue, he had captured Evelyn Tripp – who does not at all fade amidst numerous Matisse cut-outs added to the set.