Maybe it’s just me. Yet, while flipping through the Spring/Summer 2019 collections I felt a bombardment of exaggeration.
However, Thank you, Maria Grazia Chiuri! Chiuri is the creative director at Dior. As stated on the Dior website, the present campaign came about to embrace “the body in movement”. Nuanced. And gauzy without obscuring.
Last year while shopping used books, I happened upon one entitled: “Schiaparelli and Prada: Impossible Conversations”.
To be more exact, this book is the catalog from the Metropolitan’s 2012 exhibition. Whenever buying a museum catalog, there are rarely previews of its contents. Priced at “a steal” level, I was stunned when it arrived; both the quality and quantity of images within are curated with imaginative consideration.
This sketch was done from a photo by Regina Relang in 1938. I do love “Persian Lamb” – as seen in this Elsa Schiaparelli jacket in its collar, cuffs, and gloves. [To be really forthcoming, I didn’t know what that curly black fabric was called until I researched it, mid-sketch!]
Schiaparelli Ensemble 1938
Needing a break from my pen and ink studies, I looked to the Spring 2019 fashion pages. Vogue’s March issue has a profile piece on the [often] nomadic minded Rick Owens. As I just happened to have parchment paper within reach, I began sketching Shanelle Nyaiase [as photographed by Zoe Ghertner] and was intrigued with just how graphite appears in the process.
While colored pencils, understandably, might have been a bad turn… Yet I can never resist when an orange hue is involved!
Shanelle Wearing Rick Owens
Twenty years or so [gulp!] had passed since my occasional forays with life drawing groups. Three weeks ago I decided to delve in again after finding a group here in Mystic. This prospect was not without a fair amount of personal fear… Yet, the members of this group, who are all quite talented and skilled individuals? They made me feel not only made me welcome and [very much needed] encouraged! And for last night’s session, I brought my own box of colors along. From the image here, you can see I ditched my graphite pencils mid-way and went bananas with the colors.
“I’m so cold!” Even though Winter had transitioned finally to Spring, those three words had incessantly repeated in my mind. Half of my apartment is below ground – with little to insulate me from the rock it is built upon. My hands remained rigid, posing a problem in carrying out detailed paintings. So, the cold became a muse of sorts. Colored pencils occupied me until a new heater arrived. And my sanity, somewhat restored!
No one will identify über-model Karlie Kloss in this color pencil sketch – but then the same could be said in Tim Walker’s photograph of her, taken for a British Vogue fashion editorial back in 2010. That’s alright, as that wasn’t my aim.
And when I returned to using my own hand in my art, I hadn’t intended to focus a whole lot on mastering figure drawing. [Nor did I intend to use color pencils all that much!] Yet between this extraordinary pose and vibrant greens, I just couldn’t resist the challenge.
I didn’t know who a Tod A. was until a couple of months ago. Nor had I been acquainted with his band Firewater… [I’m usually late for the proverbial party.] However he doesn’t know me either. Furthermore, he doesn’t know that the Firewater album “Ponzi Scheme” – released by Universal in 1998 – has been fueling me at conspicuous frequency lately.
Tod A. is an expat and has been since the George W. Bush years. Given the present American landscape, need I say more? Maybe a 5.5” x 8.5” in strictly No. 2 pencil doesn’t do him justice. I gave it my best anarchist try…