The Elisa Sednaoui Impact

Brushwork, Projects Series

More often than not, my subjects are a mystery to me when in the process of either sketching or painting them. It is only after I’ve finished a piece when I then go online to acquaint myself with my subject – along with the creatives behind the photo.

Elisa, Photographed by Angelo Pennetta for W Magazine.

This watercolor came by way of a tribute to Karl Lagerfeld which is featured in the current issue of W . Photographer Angelo Pennetta – whose work is lauded worldwide – is seemingly a private man… Stylist Sara Moonves, in an inspired move, lent her own veil to Elisa Sednaoui. While Elisa Sednaoui, I learned, began her own foundation in 2013 which allows children from both Bra, Italy and Luxor, Egypt to discover the world and power of the arts. Now that’s remarkable!

Elisa Sednaoui in Chanel

{W} Easter

Graphic, Projects Series

The promise of more sun… Flowers blooming… There is much to embrace when Easter is here.

When W’s 2019 “Hollywood” issue arrived, my heart raved over the Tim Walker photographed stories. And while I was going gaga – there was this really captivating image of actress Thomasin McKenzie, wearing Moschino Couture. As the prop egg pops up in more than one setting, I feel that stylist Sara Moonves also is truly deserving of credit here.

The photo is exquisite; yet, like a kid with fresh egg, I just had to dip it into a vat of colors!

Tim Walker photo of actress Thomsin Mckenzie for W Magazine

Hollywood 2019, W Magazine

color pencil sketch of a tim walker photo

Thomasin Sketch from W Magazine V1 2019

Happy Easter!

~ Jeni

Paper Rag Doll

Brushwork, Projects Series

The original editorial in W’s #2 2019 issue had model Rianne Van Rompaey with super sized lacquered hair. If my version is a slight to stylist Grace Coddington’s vision, I beg forgiveness. Craig McDean’s photos are beguiling – and I was hooked. (The clothing, primarily Valentino.)

To stay nearly true to the lighting I wound up using some of my student grade colored pencils, with a light wash and a dash of semi-soft pastels for the background.

Colored pencil sketch with wash depicting model Rianne Van Rompaey wearing a Valentino ensemble. featured in the Spring issue of W Magazine.

Rianne Van Rompaey in Valentino

Natasha Ramsay-Levi Study

Brushwork, Projects Series

There is so much more behind my being mesmerized by Natasha Ramsay-Levi’s face that transcends the surface. Found in W Magazine’s Volume 4 2018 issue, I then went online to find out more about the photographer Paolo Roversi. Within the bio I’d located, I learned that Roversi’s first assignment for the AP was to cover Ezra Pound’s funeral – which alone is an auspicious start for a photographer’s journey. And in her position as creative director for Chloé, Ramsay-Levi has brought some extraordinary and admirable views and visions…

Photo by Paolo Roversi

My colored pencil depiction from the above:

 

Colored pencil with water sketch of natasha ramsay-levi

Shear Blue Gloves

Brushwork, Projects Series

There are fashion magazine clippings which I have kept in a binder over the years… [And I do try to keep impulsive clipping at a reasonable binder management level. To “try”, being relative.] My most recent muse came by way of W Magazine and, more to the point, photographer Willy Vanderperre. His photograph offered me two elements I could not resist: lovely hand gesturing and challenging shadows. And I title this as Shear over Sheer because most challenging for me was in knowing when and what to omit.

Watercolor illustration of a Willy Venderperre photo featuring a woman wearing a military jacket and hat, with blue mesh gloves

Shear Blue Gloves