The ability to imagine is a vital asset to us all. While not everyone uses this power for good, and then some very sadly don’t have access to its benefits, our imagination is the first step towards change and understanding and progress.
Generally speaking, I don’t share my personal woes with the virtual world. Yet, and with few exceptions, 2018 felt like one woeful day after another. Spring, Summer, and Fall seemed to simply pass me by… Like a year with nothing but a Winter of fear and discontent.
However, I am stubborn. No matter how bad things were, I remained committed each day in creating one thing or another. Such is the powerful force of art.
This year, now soon reaching to the next, I pay tribute to a variety of the Arts – by way of these muses. They are the graces of the written word, music & dance, and visual creations. Furthermore, they are also my saving graces.
As are all of you! Happy Holidays!!
“There is a great strength and connection that can come from vulnerability, it connects us as humans.”~ Piera Gelardi
I painted Piera Gelardi before even learning her name. And I don’t typically find beauty ads to be all that rich insofar as inspiring me – yet, her face is featured in a series that was launched by Olay. Aside from her regal nose and mesmerizing eyes, Gelardi has a message I should keep with me, always!
Twenty years or so [gulp!] had passed since my occasional forays with life drawing groups. Three weeks ago I decided to delve in again after finding a group here in Mystic. This prospect was not without a fair amount of personal fear… Yet, the members of this group, who are all quite talented and skilled individuals? They made me feel not only made me welcome and [very much needed] encouraged! And for last night’s session, I brought my own box of colors along. From the image here, you can see I ditched my graphite pencils mid-way and went bananas with the colors.
There are fashion magazine clippings which I have kept in a binder over the years… [And I do try to keep impulsive clipping at a reasonable binder management level. To “try”, being relative.] My most recent muse came by way of W Magazine and, more to the point, photographer Willy Vanderperre. His photograph offered me two elements I could not resist: lovely hand gesturing and challenging shadows. And I title this as Shear over Sheer because most challenging for me was in knowing when and what to omit.
Shear Blue Gloves
From a Rossettiesque photo by Peter Lindbergh, a Galliano gown is featured. I liked the near weariness in the model’s pose. And while the original photo [featured in Vogue, I believe] had her set against dark greens and what looked like ivy growing from the ground, I chose to add a bed of Iris instead. As my own Iris is now in bloom, will I follow them?