Piera Gelardi

Brushwork, Projects Series

“There is a great strength and connection that can come from vulnerability, it connects us as humans.”~ Piera Gelardi

I painted Piera Gelardi before even learning her name. And I don’t typically find beauty ads to be all that rich insofar as inspiring me – yet, her face is featured in a series that was launched by Olay. Aside from her regal nose and mesmerizing eyes, Gelardi has a message I should keep with me, always!

Gouache painting of the face of Piera Gelardi

Piera

Life Drawing: Tattoo

Brushwork, Projects Series

Twenty years or so [gulp!] had passed since my occasional forays with life drawing groups. Three weeks ago I decided to delve in again after finding a group here in Mystic. This prospect was not without a fair amount of personal fear… Yet, the members of this group, who are all quite talented and skilled individuals? They made me feel not only made me welcome and [very much needed] encouraged! And for last night’s session, I brought my own box of colors along.  From the image here, you can see I ditched my graphite pencils mid-way and went bananas with the colors.

Watercolor pencil sketch of a female nude with a focus on her back and the tattoo at her hip

Tattoo

Shear Blue Gloves

Brushwork, Projects Series

There are fashion magazine clippings which I have kept in a binder over the years… [And I do try to keep impulsive clipping at a reasonable binder management level. To “try”, being relative.] My most recent muse came by way of W Magazine and, more to the point, photographer Willy Vanderperre. His photograph offered me two elements I could not resist: lovely hand gesturing and challenging shadows. And I title this as Shear over Sheer because most challenging for me was in knowing when and what to omit.

Watercolor illustration of a Willy Venderperre photo featuring a woman wearing a military jacket and hat, with blue mesh gloves

Shear Blue Gloves

 

Galliano’s Peacock

Brushwork, Projects Series

From a Rossettiesque photo by Peter Lindbergh, a Galliano gown is featured. I liked the near weariness in the model’s pose. And while the original photo [featured in Vogue, I believe] had her set against dark greens and what looked like ivy growing from the ground, I chose to add a bed of Iris instead. As my own Iris is now in bloom, will I follow them?

watercolor painting of a red haired woman wearing a Galliano gown. Featuring Iris bloom in the background, with the gown in the colors of a peacock.

Galliano’s Peacock