Am I ready to break more rules? I ask myself. There are, for argument’s sake, “technical” illustrators and then there are illustrators who master the human form and go on to find a way to express these skills on a more emotional level. And I aspire to fall into the latter category.
Again, I was taken by Ethan James Green’s series of photos for the July issue of Vogue. As I had already depicted the marvelous Raquel Zimmerman, this time I opted for Imaan Hammam who wears Dries Van Noten. Van Noten’s designs are driven considerably by the force of his own palette. For me, I couldn’t tell anyone if I favored his more industrial hues versus his vibrant ones…
One can never predict what sort of setting will be staged before entering the studio since I’ve joined this life drawing group. For last night’s session, our model Ashley was seated upon a truly far-out, vintage, mid-century chair – with its matching turquoise ottoman! After bringing my sketches home, I was compelled to add color to this particular one. Yet, with a light hand. [Yeah – imagine that!]
Ashley in Mid-Century
Many people without any artistic skills might view classic fashion illustrations as seemingly effortless to pull off. [When I say “classic”, David Downton comes to mind.] Those people would be so wrong. The key to creating a striking piece, I would say, has more to do with just the right amount of restraint. In this Gelatos medium image, which I call “Les Autres Femmes” [The Other Women], I’d be the first to say I didn’t nail it. And there is a story behind it – but that will remain my secret.
Les Autres Femmes